Kazimir Malevich

1878-1935 Russian painter, printmaker, decorative artist and writer of Ukranian birth. One of the pioneers of abstract art, Malevich was a central figure in a succession of avant-garde movements during the period of the Russian revolutions of 1905 and 1917 and immediately after. The style of severe geometric abstraction with which he is most closely associated, SUPREMATISM, was a leading force in the development of CONSTRUCTIVISM, the repercussions of which continued to be felt throughout the 20th century. His work was suppressed in Soviet Russia in the 1930s and remained little known during the following two decades. The reassessment of his reputation in the West from the mid-1950s was matched by the renewed influence of his work on the paintings of Ad Reinhardt and on developments


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Kazimir Malevich half figure with a  pink face oil


half figure with a pink face
Painting ID::  68755
half figure with a pink face
1928-32 oil on canvas 72x65 se
1928-32_oil_on_canvas_72x65 se
   
   
     

Kazimir Malevich complex presentiment oil


complex presentiment
Painting ID::  68756
complex presentiment
1928-32 oil on canvas 99x79 se
1928-32_oil_on_canvas_99x79 se
   
   
     

Kazimir Malevich self-portrait oil


self-portrait
Painting ID::  68757
self-portrait
1933 oil on canvas 73x66 se
1933_oil_on_canvas_73x66 se
   
   
     

Kazimir Malevich three figures oil


three figures
Painting ID::  68758
three figures
1928, oil on canvas 37x27 se
1928,_oil_on_canvas_37x27 se
   
   
     

Kazimir Malevich head of a peasant oil


head of a peasant
Painting ID::  68759
head of a peasant
1930, oil on plywood 69x55 se
1930,_oil_on_plywood_69x55 se
   
   
     

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     Kazimir Malevich
     1878-1935 Russian painter, printmaker, decorative artist and writer of Ukranian birth. One of the pioneers of abstract art, Malevich was a central figure in a succession of avant-garde movements during the period of the Russian revolutions of 1905 and 1917 and immediately after. The style of severe geometric abstraction with which he is most closely associated, SUPREMATISM, was a leading force in the development of CONSTRUCTIVISM, the repercussions of which continued to be felt throughout the 20th century. His work was suppressed in Soviet Russia in the 1930s and remained little known during the following two decades. The reassessment of his reputation in the West from the mid-1950s was matched by the renewed influence of his work on the paintings of Ad Reinhardt and on developments

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